海贝卡·朵特梅（Rébecca Dautremer）1971 年生于法国盖普（Gap），现定居巴黎。年轻时，朵特梅对摄影充满热情，曾梦想成为出色的摄影师或设计师。就读巴黎国立高等装饰艺术学院期间，教授们很快就看出她的绘画才华，鼓励她从事青少年绘本创作。1996年，朵特梅 发表处女作《山羊与大野狼》，让我们看到一位与众不同的插画师。朵特梅画工极其细腻，用色丰富而浓郁，画面充满梦幻色彩。 可以黑色，可以甜美可以雀跃，可以伤感可以优雅写意，可以讽世深省。多变的题材，细腻的画风，让想像不设限，触动心灵最深层的感动。有《被遗忘的公主》 》《爱丽丝梦游奇境》 《拇指男孩的秘密日记等代表作的绘本画家海贝卡·朵特梅透过一幅幅迷人的画作，搭配跳脱逻辑框架、全面颠复想像的故事情境，让思绪在天马行空的绘本世界里尽情奔放！

海贝卡·朵特梅（Rébecca Dautremer）1971 年生于法国盖普（Gap），现定居巴黎。年轻时，朵特梅对摄影充满热情，曾梦想成为出色的摄影师或设计师。就读巴黎国立高等装饰艺术学院期间，教授们很快就看出她的绘画才华，鼓励她从事青少年绘本创作。1996年，朵特梅 发表处女作《山羊与大野狼》，让我们看到一位与众不同的插画师。朵特梅画工极其细腻，用色丰富而浓郁，画面充满梦幻色彩。 可以黑色，可以甜美可以雀跃，可以伤感可以优雅写意，可以讽世深省。多变的题材，细腻的画风，让想像不设限，触动心灵最深层的感动。有《被遗忘的公主》 》《爱丽丝梦游奇境》 《拇指男孩的秘密日记等代表作的绘本画家海贝卡·朵特梅透过一幅幅迷人的画作，搭配跳脱逻辑框架、全面颠复想像的故事情境，让思绪在天马行空的绘本世界里尽情奔放！

A beautiful restoration of Steadman's 1968 edition. </p> The force of social satire and fantasy in the original text of Alice in Wonderland is as relevant today as when the novel was first published in 1865. This version of Carroll's classic tale is a startling departure from the traditional Victorian or Disney approaches. In his introduction, Ralph Steadman describes how ...(展开全部)

This edition contains Alice's Adventures in Wonderland and its sequel Through the Looking Glass. It is illustrated throughout by Sir John Tenniel, whose drawings for the books add so much to the enjoyment of them. Tweedledum and Tweedledee, the Mad Hatter, the Cheshire Cat, the Red Queen and the White Rabbit all make their appearances, and are now familiar figures in writing, c...(展开全部)

In this engaging commentary, the distinguished analyst and author Marie-Louise von Franz shows how the Feminine reveals itself in fairy tales of German, Russian, Scandinavian, and Eskimo origin, including familiar stories such as "Sleeping Beauty," "Snow White and Rose Red," and "Rumpelstiltskin." Some tales, she points out, offer insights into the psychology of women, while ot...(展开全部)

In this engaging commentary, the distinguished analyst and author Marie-Louise von Franz shows how the Feminine reveals itself in fairy tales of German, Russian, Scandinavian, and Eskimo origin, including familiar stories such as "Sleeping Beauty," "Snow White and Rose Red," and "Rumpelstiltskin." Some tales, she points out, offer insights into the psychology of women, while ot...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

In this engaging commentary, the distinguished analyst and author Marie-Louise von Franz shows how the Feminine reveals itself in fairy tales of German, Russian, Scandinavian, and Eskimo origin, including familiar stories such as "Sleeping Beauty," "Snow White and Rose Red," and "Rumpelstiltskin." Some tales, she points out, offer insights into the psychology of women, while ot...(展开全部)

In this engaging commentary, the distinguished analyst and author Marie-Louise von Franz shows how the Feminine reveals itself in fairy tales of German, Russian, Scandinavian, and Eskimo origin, including familiar stories such as "Sleeping Beauty," "Snow White and Rose Red," and "Rumpelstiltskin." Some tales, she points out, offer insights into the psychology of women, while ot...(展开全部)

大卫•香农。1959年出生于美国首都华盛顿，在华盛顿州的斯波坎长大。自幼喜欢棒球和绘画，在家人鼓励下，他选择了加利福尼亚的帕萨迪纳艺术中心设计学院。1994年，他自写自画了《乔治•拉德伯姆如何救了棒球》，这是他独立完成的第一本图画书，被评为《纽约时报》年度最佳图画书。但真正让他一举成名的，还是那本畅销至今的《大卫，不可以！》，它为他赢得了1999年的凯迪克奖银奖。因为孩子们反响强烈了，他又把大卫的故事写成了一个系列——它们分别是被评为《出版者周刊》“每周好书”的《大卫上学去》、登上《纽约时报》畅销书榜的《大卫惹麻烦》等。